Sing Sing

Perhaps it should have been a musical -- which Buell’s play originally was. But even without the tunes, you’ll likely be moved at some point, especially if you’ve ever experienced the pleasures and challenges of putting on a show.

Having pared away nearly every detail that doesn’t advance the plot, Kwedar and Bentley rely heavily on their lead actors to fill the ensuing breach. In this, at least, their instincts are sure.

Colman Domingo is at the peak of his considerable powers in Greg Kwedar’s inspirational, fact-based prison drama Sing Sing.

Brimming with compassion and punctuated by humour, this is a moving look at prison and prisoners. It’s both infuriating and inspirational to see so much beauty in such a harsh environment.

In a story about art’s transformative potential, it’s the wondrous slow bloom of their bond that most distils Sing Sing’s poignant power.

Mixing real actors and amateurs can be messy, but thanks to a script by Kwedar and Clint Bentley that plays to everyone’s strengths, it works seamlessly here.

In Sing Sing, the other guy is better, a more dynamic and volatile screen presence.

There are so many things to say about this amazing movie. It gets you in the guts and it gets you in the feels. Colman Domingo got an Oscar nomination for this role and it's well-earned.

SING SING is not just a beautifully made, powerfully acted prison drama – it’s living proof of what can be achieved when we nurture compassion and creativity.

Led by a magnificent Colman Domingo, this prison drama proposes a shocking reconciliation of art and resilience. [Full review in Spanish]